Bio + Artist Statement

I was born and raised in the pristine wilderness of Northeastern Minnesota, but is now deeply rooted in the Pacific Northwest. As an interdisciplinary artist, I create site-specific installations often with a participatory element. I received a BFA from the University of Washington and an MFA from the Tyler School of Art, Temple University. I have been selected for numerous artist residency programs including the Anderson Ranch, Art Farm, Brush Creek Foundation, Bullseye Glass Resource Center, Montello Foundation, and Sculpture Space. Her work has been collected and exhibited nationally, with recent solo exhibitions at Gallery 4Culture and METHOD Gallery in Seattle. Upcoming opportunities include a project based residency and exhibition at MADArt Studio in Seattle, WA.

As an interdisciplinary artist, I create immersive installations often with a participatory element. As our lives become increasingly fast-paced, I am drawn to how this has altered the visceral experience, shifted our perception and awareness, and caused ways of thinking or doing to become obsolete. I am curious if the constant bombardment of information hinders the potential for self-discovery, resourcefulness and time for reflection.

I aspire for my work to provide a space for engagement, challenging the way we look at and deal with objects, space, or situations in our physical lives. I aim to provide a visceral experience that invites the viewer to be more self-aware and reconsider their relationship with their surroundings.

My current body of work explores the pedestrian experience within rapidly changing urban landscapes, capturing the underlying tension between the permanence and ephemerality of the built environment and our shifting sense of place. As the urban core develops, buildings rise in areas that were once open and spacious. Neighborhoods are littered with construction sites, exposing architectural frameworks and superstructures. My work distills these abstract linear forms revealed through the building process into flat planes as hand cut paper structures. The imagery—depicted as void and layered or segmented and then reanimated with light and shadow—expresses the temporality of our surroundings and memories of how things were.